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YUNIZAR
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Yunizar’s
work embodies the beauty and purity in human creativity.
Picasso once said he spent 40 years learning to paint like a
child again, and like the work of a child, Yunizar’s work is pure and
crude, emerging spontaneously from what appears as his unconscious mind.
Yunizar
is to be commended for refusing to compromise creativity, like so many
artists and galleries do, by tailoring their art or the artists they
choose to represent for purely commercial reasons.
What is important to Yunizar is basic, pure creativity.
He intentionally uses simple subject matter, objects which his
daily life, and a simple painting and sketching technique
to focus almost entirely on creativity and inventiveness.
Yunizar believes that to waste mental energy on technique, style,
colour, composition, etc. is to compromise himself as an artist, to
become “less” in his own words.
It
is said about Yunizar that he is mature well beyond his years.
If learning to paint like a child is the skill of a mature
artist, then he has certainly achieved that.
But his maturity is also reflected in the simplicity yet
sophistication of his work. Naïve
art is a term often associated with child-like art and unskilled
artists, but it is clear in Yunizar’s paintings, that his work is
anything but naïve.
Yunizar
has had fantastic success not only in Indonesia but overseas –
particularly in Singapore. Today he is one of the most sought after and collected young
Indonesian artists and as a gallery owner I am fortunate to represent
him in Hong Kong. We
congratulate him on sticking to his principles and on his success in
achieving such notoriety as a result.
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BORN |
Talawi,
Sawahlunto, Sumbar, 4 June, 1971 and currently lives in Kasihan Bantul,
Yogyakarta, Indonesia |
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ART
EDUCATION |
| 1998 |
SMSR,
Sumatra, Indonesia |
| 1993 |
Indonesian
Art Institute (ISI), Yogyakarta |
| EXHIBITIONS |
| 2002 |
"Jendela
Group", Air Art House, Jakarta Indonesia |
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"Jendela
Group", Selasarsunaryo Art Space, Bandung, Indonesia |
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"Three
Artist's from Sumatra", Chouinard Gallery, Hong Kong |
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"Opera"
at Studio Budaya Gallery, Langgeng Magelang, Jawa Tengah, Indonesia |
| 2001 |
"Hiding",
Santi Gallery, Jakarta, Indonesia |
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"New
Sensation", Gajah Gallery, Singapore |
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"Not
Just the Political", Museum H. Widayat, Mungkid, Magelang,
Indonesia |
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"Room,
Space & Wilderness", Yogyakarta, Indonesia (*) |
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"Sakato",
Yogyakarta, Indonesia |
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"88
Years Primordial", Taman Budaya Society, Yogyakarta, Indonesia |
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"Young
Artist's From Four Towns", Jakarta, Indonesia |
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"Limit
to Reflection", Jakarta, Indonesia |
| 2000 |
"Jendela
Group", Yogyakarta & Jakarta, Indonesia |
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"Indonesia
Expression", Singapore |
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"Contemporary
Art Exhibition", Bali, Indonesia |
| 1999 |
"From
a Window", Jendela Group, Bali, Indonesia |
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"Indonesian
Art FestivaI I", Yogyakarta, Indonesia |
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"Prasidha
93", Yogyakarta, Indonesia |
| 1998 |
"Age
Reflection", Yogyakarta, Indonesia |
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"Philip
Morris Art Awards 1998, Jakarta, Indonesia |
| 1997 |
"Jendela
Group", Yogyakarta, Indonesia |
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"Sakato
II", Yogyakarta, Indonesia |
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"South
East University Student Festival", Brunei, Malaysia |
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"Philip
Morris Art Awards", Bali, Indonesia |
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"FKY
IX", Yogyakarta, Indonesia |
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"Namnama
Group", Solo & Yogyakarta, Indonesia |
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"Art
Syawalan", Yogyakarta, Indonesia |
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"Young
Artists", Yogyakarta, Indonesia |
| 1996 |
"Two
City Dialog", Taman Budaya, Yogyakarta, Indonesia |
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"Gelagar
10", Yogyakarta, Indonesia |
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"Two
City Dialog", TIM, Jakarta, Indonesia |
| 1995 |
"Sakato",
Yogyakarta, Indonesia |
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"Peksiminas
III", Yogyakarta, Indonesia |
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"Dies
Natalis", Yogyakarta, Indonesia |
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"Exploring
Black & White", Indonesian Art Institute (ISI), Yogyakarta,
Indonesia |
| 1994 |
"Prasidha
93", Bentara, Yogyakarta, Indonesia |
| AWARDS |
| 1995 |
"Best
Artwork - Persiminas III", Jakarta, Indonesia |
| 1998 |
"Top
10", Philip Morris Art Awards, 1998" |
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(*)
Solo Exhibitions |
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